I Am (Not) IRON MAN

So I mentioned yesterday that I had tickets to the new Iron Man film, and I thought I should give some quick thoughts on it now that I've seen it.

First: some personal background...

It started in fifth grade when I bought Iron Man #216. It was one of the first comics I ever bought, but it rocked my world so much, I was hooked on comics for the next two decades. Even though I had read a couple of comics before then, that's the issue I credit when people ask "What was the first comic book you read?" It had me from the cover; it was like crack cocaine.

Watching that movie tonight was a lot like being in fifth grade again.

Without getting too into it, I haven't been really excited by the direction Marvel has taken Iron Man in the past few years (he's pretty much the biggest prick in the Marvel Universe right now), so I haven't kept up with the character beyond what I've read in news forums and the occasional trade paperback I read from the library.

But the Iron Man in the movie is old school IM.

Rich, genius playboy Tony Stark develops and sells (through his company) the most advanced weapons in the world. During a test run of a new weapon, he's injured (shrapnel embeds itself near his heart) and is taken captive by the enemy. He's told he must redesign that weapon for his captors or they will kill him and his fellow captive. Tony and his co-prisoner work on a suit of armor and plan their escape using it.

After the escape, Tony dedicates his life to saving people instead of killing them. He builds a more advanced suit of armor, and, after a few stumbles, he goes out to kick ass and take names.

There are tweaks to the story (the war is in Afghanistan instead of Korea-- and later Vietnam-- as in the comics; Obediah Stane and James Rhodes are there from the beginning), but it follows the comics very closely. And, why not? It's a great origin story that still works wonderfully in current times.

From there, the story hits many of the beats that every classic Iron Man story has to have: his company is being wrested from his grip, his technology falls into the wrong hands, he has moments where his technology to keep his heart beating fails, and he has a big, knock-down drag-out fight with someone else in a suit of armor.

He's even got the support staff from the comics: Rhodey to cover his back, super-assistant Pepper Potts, and driver Happy Hogan (played by director Jon Favreau-- as if a fan such as himself would not try to be part of the fun...). A tweak that may set some fanboys off, but worked for me: Jarvis the butler takes on a different role for the movie.

Like I said: classic stuff here.

Favreau did a great job not only directing but also casting. I, seriously, can't think of any actor who could have been replaced. Robert Downey Jr. was perfect. He was allowed to be funnier than Stark is in the comics, and it really helped the movie. And anyone who has seen his work knows he also can play vulnerable as well as cocky. Gwyneth Paltrow was great as Pepper. She nailed the slightly adventurous nature of Potts as well as brought the sweet sexual tension she has with Stark from the comics to the movie. Jeff Bridges played Stane perfectly; from supporting mentor to stone-cold badass. Terrance Howard felt a little "soft" as Rhodey, but I think when he dons a suit of armor in the next movie (it was so hinted at in this one), he'll be as tough as Rhodes is in the comics. I also liked the nod to SHIELD in the film as well.

I'm happy the movie worked as well as it did. That's a huge win for Marvel Studios (this was the first movie Marvel produced on its own-- and a failure could have doomed the production company before it got off the ground). I hope fans will flock to the theatre this weekend. I'm a little worried because the theatre I was in tonight was less than half full. But the movie officially opens tomorrow, and the 8 pm first showing I went to wasn't advertised. Hopefully people will tear themselves away from Grand Theft Auto 4 for two hours this weekend.

It also needs to continue to be strong for a few weeks to help lead it into The Incredible Hulk, which opens next month (and had a few issues as can be expected since Edward Norton had a larger role in production than just acting).

Speaking of the new Hulk movie: it's been confirmed that Downey as Tony Stark makes a cameo in it, and it's heavily rumored that his gold-alloyed alter-ego appears on screen as well (one of the perks that Marvel Studios enjoys now that it is producing almost all the upcoming movies starring Marvel Comics characters).

I'm sure part of this is adrenaline here, and I did see it in the theatre (which tends to inflate my grade), but I have to give it a solid A-. It's not going to win Best Picture, but it was fun, action-packed, funny...

...And it was true to my favorite super-hero as a kid.

Ya Gotta Love This Guy

Every comic book fan has story ideas. I don't know if it's the abounding love of characters and concepts or the prevalent belief among fanboys that they could do better if a company would let them work on their favorite book.

Hey, even I have a kick-ass idea for an epic comic book series I've never told anyone about just in case I ever get the chance to write a it (yes, delusion also runs in the veins of fanboys). Although my ideas have been used in Star Trek Voyager, Wolverine, The Hulk, The Avengers, many by Brian Michael Bendis, and on and on. It sucks when my ideas are formed over fifteen years ago and were stolen from me-- and I never got to tell my story!

Just kidding. (About my rage.)

I'm still available to Marvel if they want me to send my series outline...

Anyway, here's a fun blog post by a guy (tongue-in-cheek-ish in spirit, but the dude would take the shot if DC gave it to him) who's offering his ideas for Legion of Super-Heroes. I love this guy's enthusiasm-- and the post was a great reminder of why I love that team.

Don't forget to read the word balloons. Most are pretty funny.

Here's the link: http://mightygodking.com/index.php/i-should-write-the-legion/

I thought the ideas were kick-ass, and that's why I love comics-- everyone's got ideas.

("UltraBoy will not be a stupid [f-bomb]ing jackass"... Classic.)

The 2008 Q1 DVD list: A's & B's

Once-- I raved about this one in a previous post, and I will again because the movie has stuck with me a month later. I just listened to some songs from the film soundtrack, and it all came back. There are great movies to watch, and then there are very rare gems that “change” you after watching them. This is one of those gems. A

The Simpsons Movie— At the beginning of the movie, Homer stands up during a showing of the Itchy and Scratchy movie and asks, “Why pay for something we can see for free?” Because you can’t get this kind of quality on free TV. Everything you love about The Simpsons is multiplied by a hundred for the movie. The animation was better and more adventurous, and the story was also beyond what would fit into the show (props to the creators for making an actual movie, and not something that could conveniently be broken up into TV episodes). I still like The Simpsons, but I haven’t loved it in years. I loved this movie, though. A-

The Bourne Ultimatum— A great capper to a great series. Jason gets closer to the truth of his existence. I must say I was surprised to learn his “origin story”. The action was smart and crazy, and the cast was stellar. A-

Eastern Promises— The story was good enough, but the direction and the performances really put this film near the top of the heap. Viggo Mortenson was phenomenal. A-

Shoot ‘Em Up— Imagine every action movie you’ve ever seen turned up to 11. This movie went beyond the point of ridiculous (as was intended), and it’s a testament to Clive Owen (as well as Paul Giamatti)’s abilities that kept it all within the context of the story. Lesser actors would have easily lost control of the ludicrous situations herein. I mean, is there any other actor you can think of that could make chewing a carrot stick as badass as Owen does? The film was a satire of sorts, but the kind where the players are winking at us as if to say “Listen, we know this is beyond over the top, but doesn’t it look cool?” And if you have time, check out the special features on the DVD as they’re pretty funny in their own rights, like the question asked of cast and crew of how many people are killed in the movie and then get answers like “Lots” or “I lost track after 100/200/300”. A-

3:10 To Yuma-- Christian Bale and Russell Crowe at their best. Wow. Just a pleasure to watch them work. And the story was great as well. You kinda know who's gonna die by the credits(there is a bit of a "formula"), but there were a few twists just before and after it that made it very interesting. A-

Harry Potter and the Order of the Phoenix-- Each film in the series has a more grown up Harry, and this no exception. Harry gets a band of “rebels” together to fight against Valdemort because no one else will. Good moments and effects, and the kids are growing into pretty good actors (how cool are their lives, working with the incredible talent they get to work with?) B+

Dexter: Season One -- It’s a cheat that I’ve included a TV series, but it’s a really good one that I saw for the first time on DVD. B+

Stardust-- I read a number of mixed reviews about this fantasy movie, but I really enjoyed it. The effects were good and the story and characters had a nice humor about them. B+

Rescue Dawn—Great story, but nothing groundbreaking other than Christian Bale’s usually great work and Steve Zahn’s very great attempt at pure drama. B

Hairspray— I watched this on a whim, but I’m glad I saw it. I’m not one for musicals, but it worked in this movie. The young cast was great—and the message of the movie was a good one to keep in mind. The biggest downside to this movie was John Travolta’s ridiculous-looking makeup job to look like a woman. I know the part is traditionally played by a man, but they could have done better. Not that Travolta was bad (he was actually quite effective), but I never saw "Mrs. Turnblad", I just saw Travolta in drag. B

The Waitress— I liked the “realistic” attitude of the movie (sometimes pregnancy is not a “wondrous gift” due to circumstances), but some of the characters were a bit over the top. It was very funny (black humor) in many spots, so it’s worth watching. B

Live Free or Die Hard— About half-way through this movie, I completely expected John McClain to get caught in an explosion and emerge from the flames with his skin melted off and continue the movie as a Terminator T-800. I haven’t watched a Die Hard movie since Die Hard with a Vengeance was in the theatres, so I forgot how unbelievably over the top they can be. This one was even more so. But it was fun. And it had Justin Long and Timothy Olyphant (who I really wish could snag a movie role that comes close to the ultra-cool/badass Sheriff Bullock he played in Deadwood). B

The King of Kong: A Fistful of Quarters— A documentary about the struggle between two men to attain the highest score ever achieved on Donkey Kong. It was crazy. And pretty effective. B

Underdog— I watched the cartoon as a kid, but I don’t remember hardly anything about it, so this was a fresh take for me. Yeah, it’s a kid movie, but there were some good lines and good scenes. I doubt I would have watched it if I was childless, but the boys and I liked it enough. B

Superbad— funny but vulgar. But that’s what you can expect from the Apatow clan. Laughs, laughs, and then the inevitable thing that makes you say, “Okay, that was a bit much.” And then repeat the cycle. B

No End in Sight— I don’t know why I do this to myself. Let’s see: a movie that looks at the failings of the United States as it created the Iraq War. No big surprises here when I say the Administration [f-bomb]ed up. Not that the movie isn’t worth checking out—especially since the irritation at the clowns in the White House seems to have worn off for the average American. We should remember that a group of complete morons got us into a war that we’re going to have an incredibly difficult time getting out of. I (and the movie) am not saying we shouldn’t be there to help out—but it’s obvious we went about it the wrong way. B

The Best of the Colbert Report-- Good on moderation. Don’t try to watch the whole thing from start to finish like I did because it almost becomes a chore. B-

Pirates of the Caribbean: At World’s End-- Kind of a mess. Okay, quite a bit of a mess. It had enough action and fun scenes, but it tried so hard to wrap up storylines that it jumped around quite a bit—even though the film was squarely hinged on Captain Sparrow; most everyone else was just a player in his story. Depp was better than he should have been considering the movie didn’t expect much from anyone else. B-

Pan’s Labyrinth— Pretty to look at, but very odd. I have to admit I didn’t know what was going on half the time. And the ending made the usual quote from critics: “fairy tale for adults” pretty much sum it up. B-

The Waterhorse—film. Another movie for kids that worked well enough for adults. It did follow the kids adventure formula strictly enough, but Alex Etel was fun to watch as Angus. B-

Iditarod 2007: As Tough As They Come-- I’ve always been intrigued by dog sledding (maybe because the biggest race in the lower 48 states begins in the area I grew up in), and this was a good recap of the 2007 race, but I wish there would have been more than just an hour-long recap of the race. I wonder what HBO Sports could have done with it. Now that would be awesome. B-

Mr. Bean’s Holiday-- Another movie for kids, but an adult can appreciate the goings on as well as the realization that Bean doesn’t speak hardly anything resembling English in the whole movie. It’s tough to have an audience sympathize with a character through just his actions (most of which get him into some sort of trouble). B-

The Actual Q1 DVD List; C's-F

License to Wed—John Krasinski doing what he does best (being a lovable goof), Robin Williams doing what he does best (side gags around the script), and Mandy Moore (sadly) not really a part of it. I’m kinda stuck here. The movie wasn’t much, but it did have good performances at times. At times I was bored and at others I was interested. I didn’t find it great, but I also didn’t find it as bad as many reviews I read said it was. C+

Chalk— A humorous documentary-style look at teaching (think The Office, just not as funny). It had good moments, but I just didn’t care about the characters. C+

Hot Rod—Another one that I had low expectations for. It was dumb and not particularly funny, but worked for a Saturday night. C+

Reno 911: Miami— I usually tire of Reno 911 part-way through the season. This movie was pretty much the same. But instead of great gags in a bare plot as on TV, we got a decent (if unbelievable) plot and not many great gags. C

Grbavica: The Land of My Dreams— I had heard such good things about this import from Serbia, but it was just so depressing, and it waited too long to get to the “reveal” that I wasn’t grabbed by it as I wanted to be. C

The Nanny Diaries—Good performances by Scarlett Johannson, Laura Linney, and a great one by Paul Giamatti, but I just didn’t care about them. C-

The Dead Girl—depressing. I can’t say it wasn’t a good movie but I was completely uninterested in these depressing as Hell characters. And that’s too bad because the movie took a unique approach at the aftermath of the murder of a young woman by showing a number of different angles/stories of women who were affected by it. C-

No Reservations—I wish there’d be a movie that explains the brains of “food people”. I read Kitchen Confidential but even that was a bit too “inside” for me (although I know not to get surf meals from Friday to Monday and that chefs used to get hopped up on some sort of drugs to keep going). This movie did nothing for me. Even though it starred Aaron Eckhart, I still wasn’t drawn in. It was everything a “chick flick” should be because it followed the formula to the letter. D+

Thunderpants—A story about a boy with terrible flatulence, and how he parlayed that “curse” into a gift by saving the world. I didn’t have any great expectations about it, and it certainly didn’t deliver. D-

Waiting—TV. I like Ryan Reynolds and I like Justin Long, but I did not like this movie. It tried being a 21st Century Clerks but it wasn’t funny; it just was vulgar. F.

2008 Q1 DVDs

If you recall, earlier this year I gave my mini-reviews on all the movies I watched last year via DVD, premium cable channel, or actually in the theatre. The posts were a big hit (in my mind-- no one commented on the posts).

Part of the trouble of doing things that way was there was a pretty big distance between me watching and then "reviewing" some of them; sometimes a time gap of a year or longer.

I had some time to go over what I've watched so far this year (I'm on an even larger movie-watching pace than last year) and thought I should try to do it by quarter this year, so here are the movies I watched from January to March, 2008.

I tried to rank them from favorite to least favorite this time. Partially so it made a little sense (and since I haven't watched 100 movies yet this year, it made doing a Top 20 tough) and partially because I am able to remember all the movies I've watched so far better than doing a year at a time.

Before I begin, let me lay down the ground rules (hopefully they're similar to last time's): they were watched on DVD unless noted. Why's that important? I found last year that I graded films I saw in theatres maybe a half-grade higher probably because I was influenced by that experience. Also, DVD extras can play a part in determining a grade (if noted).

A friend of mine asked me how I see so many better than average movies, and the simple answer is: I try to keep abreast of good things out there. There is way too much crap on DVD, in theatres, in books, etc that I use critic reviews as guidelines often (not for my "reviews", but as a kind of guidebook to what to watch or read). If Entertainment Weekly or my newspaper gave a book or a movie a good review, I either put it on hold at the library or write it down on my "to watch/read someday" list (which is getting much too large). I also use friends a little (I'm usually the most-informed person I know of such things-- not bragging, just keepin' it real) and sometimes I just take a chance. And I watch 75-100 movies a year as well as around 100 TV shows a year, so I'm getting pretty good at picking out what I'll like. That's why you'll find many, many more B's than D's. I'm able to make better choices for me.

Maybe my choices can help you. I wish I had more time to review each one, but I barely had the time for these little writeups.

Like last time: A's are the cream of the crop, and a heartily recommend them. B's are better than average and good for entertainment in most cases (or at least showcase good to great acting or directing). C's still have value, but could be above or below average slightly (depending on how I was feeling when I watched it). D's have little going for them; maybe a good performance by an actor or enough funny lines to make watching it not completely a waste of time. F's have no redeeming value, and you are only going to put yourself through the misery I went through.

One last thing: if you actually paid any attention to the 2007 grades, note that I didn't consult that list to make these grades. It's possible that a movie I gave a B+ to last year would have earned a B- this year. Don't take too much stock in the grade other than just as the guidelines I established in the last paragraph. Ranking them as I do this year will help with that, too.

Lovely... My intro took up more space than I thought.

Okay, next post will be the list (or a part of it-- we'll see how big it gets).

Something's Not Right

I don't want to jump on any bandwagon or anything, but something struck me as very odd this afternoon:

I went to Burger King to work on completing my Iron Man toy collection, and my cheeseburger meal came to $2.84.

I drove a mile down the road and noticed the price of a gallon of gas is $3.64.

I got a cheeseburger, a small Coke, and small fries-- and a freakin' toy-- for almost a dollar less than a gallon of gas. Crazy.

I also heard earlier today that the major oil companies had better than expected first quarters again this year.

Well, thank goodness the economic troubles we're in isn't affecting everyone.

Let's end on a happier note (for me anyway; I feel bad for you other suckas): my ticket to the first Iron Man showing on the big-ass UltraScreen tomorrow night just printed out of my printer. I don't let myself get excited for much (keep expectations low), but I am excited for this movie. I love Batman and Indiana Jones, but I was a BIG Iron Man fan back in the day...

Premieres and Notables, April 28- May 4, 2008

Monday, 4/28

Return:
House (FOX, 8 pm CST)

Season finale:
High School Confidential (WE, 9 pm CST)

I'm a Star Wars fan, but I don't know if I'm this much of a fan: Deal or No Deal (NBC, 7 pm) has a 2-hr episode built around a Star Wars theme, with Stormtroopers, models in "slave girl" outfits, Chewbacca, Darth Vader as The Banker, and an appearance by Carrie Fisher. Can I get myself to watch this thing or not? If anything comes of it, it may be that the Star Wars Holiday Special from the '70s may not be a low point for the franchise on TV anymore.


Tuesday, 4/29

Raw Nature; Animal Planet. 7 pm CST. Series Premiere.
Filmmakers get up-close and personal with dangerous animals.

The Streak; ESPN2. 8 pm. Special
This documentary looks at the pressure for wrestlers at Brandon High School in Tampa, who have a 451-match winning streak-- started in 1974!

Robin Williams plays a rabble-rouser who wants people to question authority on Law & Order: Special Victims Unit (NBC, 9 pm).

Season Finale:
The Riches (FX, 9 pm)

Return:
Shark (CBS, 8 pm)
Women's Murder Club (ABC, 9:02)


Wednesday, 4/30

Farmer Wants a Wife; CW. 8 pm. Series Premiere.
Ten city girls compete to win the affections of one farmer.

Move/new day:
Boston Legal (ABC, 9 pm)


Thursday, 5/1

Earl finally gets out of the coma on My Name is Earl (NBC, 7:00). I love that the show still takes chances, but the coma thing didn't work for me.

Stanley has enough of Michael and tells him so in a meeting, and Michael decides to give him an "attitude adjustment" on The Office (NBC, 8 pm).

After Dr. Kelso's classic (but not classy) exit last week, Dr. Cox finds himself the Chief of Medicine on Scrubs (NBC, 8:31).


Friday, 5/2

Speed Racer: The Next Generation; Nicktoons. 6 pm. Series Premiere.
Speed's son takes over the family business.

Return:
Man vs. Wild (Discovery, 8 pm).


Sunday, 5/4

TCM acknowledges the tenth-anniversary of the death of Frank Sinatra by offering blocks of music and movies featuring him every Sunday and Wednesday night in May.

This American Life; Showtime. 9 pm. 2nd season premiere.

Season finales:
Wire in the Blood (BBC America, 7 pm)
Family Guy (FOX, 8 pm)